Mura Masa’s self-titled album from earlier this year established the 21-year old as one of the hottest young electronic producers. Read More: Rihanna Meets With President & First Lady Macron to Support Global Partnership for Education They ended the night with “New Person, Same Old Mistakes,” a song that is so good that Rihanna had to have a nearly identical version for her latest album “Anti.” Parker has been hailed as one of the most ingenious rock and electronic producers in the world, and his obsessive attention to detail was clear when he made his band start a song over when the sound engineer wasn’t reverbing his voice properly. The psychedelic lightshow is cool, but it’s the lush, funky sounds, so patiently layered and executed, roaring across an enormous field of people as Kevin Parker’s crisp, bright voice bounces over everything that makes the show so memorable. Seeing Tame Impala live is an otherworldly experience. All over the festival grounds - in food lines, on blankets, in front of the stage - the audience was bouncing during what was one of the best sets of day two. On the main stage as the sun was beginning to set, Vince Staples roamed and delivered pointed verses over a wide assortment of beats and sounds. On stage, she stands still, strumming her guitar and mesmerizing the audience with songs that sound frighteningly essential. Her lyrics confront the many sexist barriers and expectations that pervade society in clever, super-specific ways. Mitski channels rage and frustration in her songs with simple, focused melodies and an urgent, rising voice. A superb performer, he had the crowd jumping and tested out a bunch of new songs for the first time live. The Tyler that showed up at Panorama wasn’t trying to alienate anyone. On his latest album “Flower Boy,” he refined his eclectic sound and kept his fiery energy, but ditched some of the cruder lyrics that earned him so much scorn that he actually got temporarily banned from the UK. Tyler the Creator is going through a rebranding. Read More: The Most Magical Moments From Every Global Citizen Festival Ever Whereas her sister Beyoncé is known for her powerful anthems, Solange’s voice is more tender and nuanced, but no less strong. She twerked to loud cheers and jumped around wildly at the end of songs.
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But far from being a stale homage to an earlier era, Solange had one of the most fun, liveliest sets of the weekend, full of funk and grace. Solange, her band, and backup dancers and singers invoked the ’80s with their orange outfits - bell bottoms, turtle necks, tank-tops, tights - and their geometric dance sequences. And based on how enraptured the crowd seemed, a lot of people would agree. It was a strange merging of perspectives, a meditation on both timelessness and the fleeting nature of impressions, two ideas that are frequently turned over in “Blonde.”įor Tame Impala’s Kevin Parker, who closed out the second night, it was a profoundly moving experience. Another camera was high-def and showed the artist in all his detail, standing before a crowd of tens of thousands in a t-shirt that challenged bigotry.
One of the cameras was low-res, home-video quality, and provided a warm, fuzzy view. A few fancy chairs, a large stereo system, and a mounted disco ball were stationed at the end of a long walkway that Ocean leisurely traveled along, as his lucid, powerful voice worked through his latest album “Blonde.” A few cameramen and women followed him and their footage fed the video screens with various points of view. Not many artists besides Frank Ocean can convincingly close the opening night of a major music festival with an intimate, contemplative set. Here are the nine best sets from the weekend. Read More: 16 of the Most Inspiring Quotes from the Global Citizen Festival Stage The event set a high bar last year with Kendrick Lamar, Sufjan Stevens, Sia, and many others, but this year had an equally stacked lineup. With two main stages, an indoor club, an outdoor dance floor, various art installations, and a wide range of food and beverages available, Panorama more than held its own in what has become an increasingly crowded festival space. With it's focus on environmental awareness and bringing together socially conscious artists, Panorama is a good reminder of the unifying force of music, best captured by the annual Global Citizen Festival, which is returning to Central Park for its 6th year on Sept.
“We the people, we are equals,” is what A Tribe Called Quest had the crowd chanting this past Sunday on Randall’s Island for the second annual Panorama Music Festival.
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